But there were so many songs called 'Saturday Night' even one by the Bay City Rollers, so when we rewrote it for the movie, we called it 'Stayin' Alive'. Maurice further explained: "We'd also written a song called 'Saturday Night'. But when you climb back on top and win bigger than ever before, well that's something everybody reacts to everybody". And it really is a victory just to survive. "Everybody struggles against the world, fighting all the bullshit and things that can drag you down. The minute you capture that on record, it's gold. Robin said: "The subject matter of 'Stayin' Alive' is actually quite a serious one It's about survival in the streets of New York, and the lyrics actually say that".īarry Gibb added: "People crying out for help. Several words from Robin Gibb's Concorde ticket actually inspired the lyrics for 'Stayin' Alive'. Instead, Stigwood expanded the name of the film to include the title of 'Night Fever'. Plus, the album already had a song called 'Night Fever'. RSO Records wanted the song to share the title of the film (at the time) - 'Saturday Night' - but the Bee Gees refused to change the title, as there had been too many songs with 'Saturday' in the title. John Travolta Dancing in Saturday Night Fever. The Bee Gees preferred to record the majority of the soundtrack in France for tax reasons, like many artists at the time. Stigwood only knew that it had something to do with discomania.īarry, Robin and Maurice Gibb wrote the song over a few days while working on a staircase at the Château d'Hérouville studio near Paris. The executive producer of the Saturday Night Fever movie soundtrack and future Bee Gees manager Robert Stigwood asked the group to write some songs for the soundtrack.Īt the time, the film was only just being developed and didn't have a title. Use all right if you need people to know that you know what's all right-at least according to your English teacher (and a lot of other folks).Here's all you need to know about 'Stayin' Alive': There's nothing essentially wrong with it. Which leads us to this concluding recommendation: use alright if you like it and don't care that it's not the favored form. All right can-and does-do everything that alright does, and it has the added bonus of making your English teacher happy. If you like that distinction you can use it, but the fact is that "The answers were all right" can mean either that the answers were all correct or that they were satisfactory. Some people assert that there's a difference in meaning, that "The answers were all right" means that all the answers were correct, and that "The answers were alright" means that the answers were adequate or satisfactory. And lexical upstarts don't tend to win popularity contests. Alright dates-in literature anyway-to Mark Twain circa 1865. Only all right developed a variant modern spelling after that settling. It's all about history: English spelling was fluid for a very long time, and the words all right, already, although, and the others had various forms over several hundred years-with spaces, hyphens, alternate vowels, one l, two l's-until the 18th century when they settled into the spellings that we recognize today. What's up with the lack of English-teacher love for alright? But alright does have its defenders, and instances of alright abound in informal writing.Īnd what's not to like, really? It's an efficient little version, and it looks right at home with a bunch of other common words- already, although, altogether, almost, always. It is by far the more common styling in published, edited text. If you are, you'll do as most writers do and stick to all right. Pete and James weren't trying to impress your English teacher, obviously.
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